Berger’s theory and other popularized notions on photography are completely mistaken when trying to understand the principles of this medium. Even though the camera might limit the photographer’s capacities of capturing imaginary and fictional objects, a talented photographer is able to introduce creativity, innovation, and brilliance to their final compositions. An image can be altered by using different lenses and filters, or by modifying the cameras exposure, shutter speed, or aperture. The photographer even has control over contrast, highlights, shadows, and coloring. For example, the same image with high contrast lighting can evoke a totally different sensation and transmit a different message than that same image with low contrast of lighting. An image with high contrast may evoke a harsh, intense, and dramatic response, while the same image in low contrast may produce the opposite emotions. By mastering all these techniques, a photographer is able to compose a distinctive and unique image of even the most infinitely reproduced landmark, or able to completely alter the aesthetic of an object or creature.
Below are two collections of images of the same architectural structure. I took each image from a different angle and perspective, proving the extend to which an image can change just by how it is framed. Shadow and lighting were also very important in making these images because it contributed to the complexity of the shot. These images were taken around 12 pm where a strong light casted a shadow onto the surface of the structure creating multiple geometrical shapes and forms which enhanced the composition. I colored the second series of images in black in white in order to demonstrate the change in subjectivity by just altering color.
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